Bad News From Houston

Bad News From Houston. Oil on panel, 12" x 12". 

$595. [Buy now.]

It's January already, and time to ease out of the deadly holiday combo of insanity and debilitating laziness. Naturally, on the first post-holiday Monday, I came down with a cold. Small wonder it isn't worse, given the number and strength of cocktails consumed over the preceding weeks.

On the subject of strong cocktails, I give you Bad News From Houston. (Well, not literally give, but it is for sale.) This is one of my absolute favorite drinks from both books combined, hands down. The mix of rye whiskey, amaro and two vermouths is already right up my alley, but the real kicker is the little bit of salt that makes the whole thing so buttery-awesome.

The recipe came to be in Mixology With a Twist courtesy of Seth Sempere at Spur in Seattle. Seth also happens to be the vice president of Washington's chapter of the national bartender's guild, as if this drink isn't proof enough that he knows what the hell he is doing. (Trust me, it is.) 

This was one of those paintings that I did twice, as the first painting didn't come close to doing the drink justice. Not sure what painting would, honestly, but I was much happier with this one. Both paintings featured the "horn"-handled mid-century bar tools and wagon-wheel-esque fifties coupe found at a second-hand store in Sunnyside. But this painting succeeded with a simplified—therefore strengthened—composition.

If you desperately want the recipe but don't have the book, please click this link to get it. If you desperately want the painting, please find the link under the photo above.

Happy New Year!

Willi Sheller at Liberty

8-1/2. Oil on panel, 12" x 12". $595. [buy now.]

During our first trip to Liberty on Seattle's Capitol Hill, we had the experience of meeting Willi Sheller. "Meeting" is probably not the right word. "Being entertained by"? Not sure how to explain it, but the minute I mentioned the book project to him, he disappeared behind the bar for about twenty minutes, then reemerged with this:

Meet Tikitty. It's hard to tell from the photo, but the cherries in the lime adorning this tiki drink are on fire. When I could stop laughing long enough to try it, I found it was delicious. 

After that Willi brought out some more serious original libations, including the 8-1/2 (illustrated above), which he said he named for his favorite Fellini film that he'd never seen. Then, he killed my cucumber phobia with his Pimp's Cup, a twist on the Pimm's Cup using local BroVo Jammy vermouth. Here is the painting, which is an homage to what happened next:

Pimp's Cup. Oil on panel, 12" x 12". $595. [buy now]

So, what happened next was that I tried to figure out how the hell Willi had made the intricately woven garnish on my 8-1/2. I couldn't do it, so he went to the bar, grabbed a cutting board, some tools, and a few pieces of fruit, and proceeded to spend several minutes demonstrating garnishes.

Please keep in mind that, a) I am not a videographer, and b) I was at least two drinks in at this point, and not expecting to make a video. I did my best under the circumstances, and here are the results:

For another video and an actual photo of Willi, join me after the jump.

New Work Available on Daily Paintworks

Manhattans by the Pitcher Study. Oil on panel, 6" x 6". $125. Sold.

I'm back from the Bend/Sausalito trip, and it was a great experience. I met lots of fun new customers and many paintings found new homes. And of course, I tried new cocktails! I'm super excited about a new drink I discovered at the Dogwood Cocktail Cabin in Bend, Oregon.

More on that later, but in the meantime, a few of my favorites are still looking for love. This sweet little Manhattan painting is now available at my Daily Paintworks Mixology Gallery. I'll post more over the next week or so, along with new paintings for Mixology With a Twist.

Devil's Garden

online
Devil's Garden. Oil on panel, 8" x 8".

About the drink:

This is another one from our own tasting crew, and a delicious one it is! Tom Musselwhite, famous for his one-and-you're-done, all-booze cocktails, surprised the hell out of me with this complex, herbaceous twist on a whiskey sour. Or some kind of Manhattan. Or both. In any case, it is absolutely right up my alley (intentionally, perhaps?).  Inspired by a recipe he found online, Tom experimented until he had something that may or may not even remotely resemble the original drink. Basil-infused simple syrup, vermouth, lime juice, bay leaf and a topping of Iron Goat Goatmeal Stout add a balanced complexity to two ounces of 100-proof Rittenhouse Rye. Mmmm.

About the painting:

This one had been rolling around in my head for a while as I worked on other projects. I was excited to include all the leafy bits, since leaves have kind of been my thing for a while. I knew I wanted some of the leaves to hang down for a spooky, live-oak-in-a-southern-garden effect. But that was about all I had. When I went to paint it, I found I had exactly the glass that Tom had used to serve the drink, as well as the perfect backdrop in another William Morris calendar page (thanks Mom!). The leaves worked out exactly as planned to balance the composition Everything seemed to fall together. Except it looked boring. Until, I did the unthinkable… I moved my light to the other side of the still life stage. I'm sure other artists do this daily, but through over a year of still life painting I have kept my light on the left side. Probably this was due to laziness, but for whatever reason, I will not make that mistake in the future. When I moved the light, this formerly boring setup sprang to life, and inspired me to very quickly paint one of my favorite pieces to date. I love it when a plan comes together!