London Breezy

London Breezy. Oil on panel, 12" x 12".  $595. [buy now]

London was already calling Camrin Costello when Teya and I met her one summer night at Casper Fry. The bar wasn't terribly busy, and as usual, the subject of the work-in-progress book came up. Camrin, intrigued by the book idea, told the story of a cocktail she invented on a trip to England.

In London for an interview at the University of Westminster, she spent a day at Westminster Abbey. The breeze blowing through the city provided both the inspiration and name for the drink she made that night: a concoction of gin, chartreuse, lemon and lime. I think she must have known the interview had been a success when she finished her new drink off with a splash of celebratory champagne. (Camrin lives in London now. Bully for her!)

For the painting, I wanted to capture the contrast of the citrusy drink with a cool cloudy background that suggested the tradition of an old english pub. I changed the color of the purple flocked wallpaper to a stormy gray, and was quite happy with the result—especially the way the oversized pattern leads into the composition.

The recipe for the London Breezy is available in Mixology With a Twist: The Art of Modern Cocktails,

French Farmhouse

online
French Farmhouse. Oil on panel, 12" x 12".

An all-day, beer-lovers' brunch inspired this new twist on the French 75. Truthfully, the idea had been rolling around my head for a while, but the brunch kickstarted the process.

If I haven't beat this to death already, I am part owner of Iron Goat Brewing, a microbrewery in Spokane. The brewery is moving to a bigger space with a bigger liquor license, and a cocktail menu is now an option. A collection of beer-related drinks seemed apropos, so I've been pondering possibilities. Asked to bring a brunch cocktail on short notice, I gave this idea a try.

This drink replaces champagne in a French 75 with farmhouse ale (saison). Our seasonal farmhouse ale didn't come out until after the aforementioned brunch, so I used Boulevard's Tank 7 instead. (As a former graphic designer, I have a weakness for pretty packaging, so that was another excuse to use one of my favorite non-Goat beers.) The saison substituted seamlessly, the drink was declared a keeper, and I decided to paint it.

To get inspiration for the painting, I googled French country decor. I have never seen so many ticking stripes on one search page in my life. Or anywhere, really. Whitewashed wood and ticking stripes as far as the eye could see. Unbelievably, I already had a bar towel with stripes. Amazing! After several hours of futzing, an equal amount of easel time, and an unheard-of $0 in new props, a painting, and an unexpected addition to the new book, was born.

French 75

Original oil on panel, 12" x 12". $595. Click to buy.

"Death, Gin and Lemon Juice" was the theme for our last recipe test night. For the first half, we offed ourselves with the French 75, named for early French artillery. This is normally a champagne cocktail with a bit of gin. Ours ended up more of a gin cocktail with a bit of champagne. Is that bad?

I'll get to part two next week. In the meantime, I'm happy to announce that I have a venue for the Mixology Book Release Cocktail Party: it will be at Mizuna, a wonderful Spokane restaurant committed to delicious cocktails and an exceptional vegetarian/vegan menu (in addition to the regular menu, don't worry). It's happening the first Friday in November.

This is getting real!

Never miss a painting! Subscribe here.